When I was young and collecting LPs, that was an expensive hobby. Yes, an album was indeed under £2, but when your pocket money was just the equivalent of 50p per month, that was tough.
Very few bands produced more than one album a year, and we were always on the hunt for new people to explore. There were several factors we used to decide whether an artist might be of interest:
word of mouth
appearances on John Peel, Old Grey Whistle Test or other shows
comparisons with similar bands
friends having copies
anyone in the band who had been in other bands we liked
the record label
the instrumentation of the band
One factor that often swung it for me was the use of the mellotron. There was a style of music I loved that was well suited to this machine, and many of my absolute favoutites even now used a mellotron (King Crimson, The Moody Blues, Barclay James Harvest, PFM…). One band I found that had at least two mellotron players was Pavlov’s Dog, from St Louis.
The band’s first album… no, let’s come back to that. The band’s first commercially released album, on two different record labels, was called Pampered Menial. There were three guitarists, two keyboard players (both using mellotron), drummer and a strings player.
In the late 1960s and 70s I was a big fan of the Bonzo Dog Doo-Dah Band, later just the Bonzo Dog Band, or even The Bonzos.
They started as a group doing trad jazz comedy stuff, but this evolved into more rock based material with a definite surreal/funny edge.
The Bonzos were well known. They were in the ITV comedy series Do Not Adjust Your Set with some other famous people, and sang a song in The Beatles’ Magical Mystery Tour. They had one big hit single, I’m The Urban Spaceman, produced by Paul McCartney.
I know there are very many people who like the same music that I do, and I like to pass on suggestions for others you may like in a similar vein, others perhaps a bit more obscure, not because I make anything from it but because I want to share great music with you.
Years ago I had the pleasure of seeing David Sylvian and Robert Fripp live at the Royal Albert Hall. Opening the show and also playing with the band was Michael Brook.
When I moved to London in the 1970s I was a poor student. Finding money for entertainment was not easy, and the BBC was a godsend, especially the radio.
For the price of exactly nothing you could go to see a radio show or two being recorded at one of their central London studios and enjoy something that you could listen to again later and share with friends: “I was there”.
The usual venue was the old Paris Cinema in Lower Regent Street. It was quite an historic place. Lots of great shows had been recorded there, even The Goon Show and Dad’s Army. It was also used for rock concert recordings and as such was a cosy venue.
Usually you could just roll up and get a ticket for a comedy or quiz show, especially on a rainy evening. I have fond memories of going in and walking down those windy wooden stairs. It’s not used by the Beeb now, they use the radio theatre in Broadcasting House, a larger and much more impersonal venue.